New Cover Art

As a little girl, I spent hours of my free time ensconced in cozy nooks and tiny chairs hidden between towering bookshelves in our local library. A friendly librarian noticed my love of reading and encouraged me to reach beyond the age-appropriate sections, taking the time to instruct me in the proper book-shelving etiquette and finer points of the cryptic Dewey decimal system.

But in truth, I was able to locate most of my favorite books not by numerical efficiency, but by spotting the familiar dust jacket on the shelf. Spine out, cover, or back-facing, I could identify the usual suspects immediately, and took comfort in the familiar typefaces and colorful depictions of important scenes from the story.

Years later, I remember roaming the no-longer-towering stacks of a nearby bookstore. and feeling more lost and confused than comforted. The titles were familiar — Alice, Matilda, Jane, David, the gang’s all here — but I no longer recognized the classics from their covers alone. The art had changed, often dramatically, and it occurred to me that these “new editions” would need to appeal to a much different audience than in the years of my own childhood.

Identifying a drooping interest in classic literature, the publishers clearly banded together to calculate what type of visual stimuli today’s buyers require in order to open their wallets. Longtime favorites received the royal treatment, those undying words wrapped in leather bindings, gilded, fanciful lettering, and sold in sets with their peers. Newer contributions become wildly colorful, with wrapped jackets that probably took longer to create than the authors took to write, and were marked with exorbitant prices and “special edition” stickers.

But as a beloved nanny certainly knew, a fancy wrapper and sugared coating can go a long way towards catching a child’s eye in a room full of other distractions. Call it what you will — rebranding, new marketing campaign, or my personal favorite, “updated” — but it works.


This anecdote is what came to mind when I first viewed the latest releases from the world of diamond campaigning. The two new ads are an attempt to reach the Me generation on their level, re-packaging the traditional messaging of love = diamonds into something with equal parts playfulness, sex appeal, and a down-to-earth acknowledgement that relationships can come in many forms.

Regardless of the quality of this content (debatable) and questionable length (a little too long), the surprising clarity of the message is what interests me most. Marriage is no longer the cornerstone of our society’s structure, but that doesn’t mean the concept of long-term love and devotion has fallen by the wayside. It has simply transformed, and in order to remain relevant in a landscape that no longer resembles the white picket fences of yesterday to an astonishing number of people under 40, our communication must perforce change along with it.

While I’m not really a member of the target demographic, I can absolutely see the strengths in this type of merchandising. These ads appeal to me far more than the usual run of predictable romantic interludes and lame last-minute gift plugs, so perhaps they’ll have some real staying power and will begin to turn the attention of the next buying wave back to the idea diamond jewelry as an enduring statement of… well, whatever they want it to say.

I’d love to hear your reactions to this new direction. Have a look, share it around, and please share your thoughts.

Following Up: Girls in the World

A few weeks ago, I wrote my own response to the current hot-button issues surrounding the ridiculously poor representation of women in my industry. And then I let it go.

Oh, not that I decided to suddenly ignore the problem, or cease to care that my own gender can’t seem to shatter the glass ceiling of business leadership despite decades of policy and social reform. I simply decided to let my feelings simmer, and step away from the rapidly-overheating kitchen argument that the internet can often turn into a firestorm.

But thanks to a deeply-felt and insightful weekly meeting by our (Millennial AND female) owner and a commentary article by JCK Editor-In-Chief Victoria Gomelsky, I decided to briefly revisit the topic that had caused a “mild sensation,” as Gomelsky understated.

It seems that she shares many of my own sentiments, particularly regarding the assignment of blame. As she rightly points out, top-whatever lists are not scientific rankings, but rather a general gathering of people across as industry who wield certain types of power: influence, money, authority, etc. It is blindingly obvious to me that more women would make the list if there were more women out wielding that kind of power, which brings about the inevitable sad conclusion that we simply don’t have it yet. Emphasis on yet.

It’s easy for me to sit here and discuss the members of my gender in the second person — we don’t have it, we need to work hard to get to the top, we need to lead, etc. — but sometimes I fill in that nominative with a silent they instead. In other words, I fall into the exact same trap that many women do, which is to count myself out of an elite group of powerful individuals because I’m not already one of them. Sure, I pay lip service to having “career goals” and “leadership aspiration” but what have I done lately to put my money where my big, hopeful mouth is?

In truth, I haven’t done enough. I wake up and force myself to repeat overused empowerment phrases and pithy mantras, but we all know that if wishes were diamonds, we wouldn’t bother to sell them because the market would be saturated. (Isn’t that how the saying goes?)

Well, forget it. I’m not going to sit back and watch other women become powerful while I sit and watch. I’m going to cheer them on while I run beside them, straight up the seemingly-endless staircase, winding our way to the very top. Together. And I’m not going to just continue to say things like that in an online blog that almost nobody reads. Sooner or later, I’m going to prove it to myself and everyone else. How’s that for empowerment?

I invite your thoughts about this whole subject, because I agree with something else important from Gomelsky’s article: only through honest discussion can these issues come to light, and perhaps, find a path to solution.

P.S. Picture is of an actual fortune cookie I received just after I found out I’d be going to my first show. True story.